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Bluesman Kevin Selfe signs deal with Delta Groove

Kevin Selfe | File photo

Kevin Selfe | File photo

Here at the old music blog, we have a soft spot on our “editorial we” for blues guitarist Kevin Selfe. Not only is he a good picker, but he has a meteorology degree from N.C. State, and we used that to our advantage back in the TimesCast days. If you never saw it, imagine Selfe, guitar in hand, giving a legitimate forecast and picking some blues. We called the occasional segment the “BluesCast,” and it was a lot of fun.

But Roanoke is no place for a hardcore bluesman, and Selfe lit out long ago for Portland, Ore., which in case you didn’t know, has a thriving blues scene. Selfe has done well there, and was even inducted last year into that area’s Cascade Blues Association’s Hall of Fame. A quick worker, that one.

Such honors are fine, but what really counts is the music, and Selfe is far from done. He announced via facebook page on Friday that he had signed a deal to record for Delta Groove Records.

“The new CD entitled “Long Walk Home” is set to be released worldwide on February 19,” Selfe wrote. “Lots of incredible musicians on it including Jimi Bott, Allen Markel, Mitch Kashmar, Gene Taylor, Doug James, Joe McCarthy, Bradley Lee Ulrich, Steve Kerin, Chris Mercer, and Dover Weinberg. So very excited and honored to be a part of the Delta Groove family!”

Smokin’ Joe Kubek & Bnois King, Elvin Bishop, Rod Piazza, Ana Popovic, Kirk Fletcher, Candye Kane and the late Sean Costello are among the players on that label’s roster. No small deal. Congrats, BluesCaster.

Take our poll — Adele or Taylor Swift?

Adele | AP Photo/Matt Sayles

Adele | AP Photo/Matt Sayles

The Associated Press is reporting that Adele’s “21″ led all album sales for the second consecutive year. Taylor Swift’s “Red” was in second place for 2012. Read all about those sales and more.

This news inspired my boss, Features editor Kathy Lu, to create a little poll. Click it below and tell us whether you prefer “21,” “Red” or neither.

Which album is better? Adele’s “21″ or Taylor Swift’s “Red”?

Local pickers schedule online concert to send a kid to camp

facebook.com/kyleforry

facebook.com/kyleforry

Kyle Forry, of Barefoot West, is a big fan of Zac Brown Band and the acts on Brown’s label, Southern Ground Records. Brown and his business are about more than making money playing music. Forry and his mates are into giving back, too.

There is a confluence here, and you can see and hear it at 8 p.m. January 11, when Forry and bandmate Justin Arnett play a benefit set of acoustic music at Stageit.com. The 50-minute set will raise money to send a local child to Brown’s Camp Southern Ground, in Fayette County, Ga.

According to the camp’s website, Brown was inspired by his own experience as a camp couselor “to create a state-of-the-art facility that will serve children, ages 7-17, with both typical and special needs. Zac has long recognized the necessity for every child to have access to the best resources in order to be able to grow and succeed.” The camp is still in the development stages, but at least one local child wants to go.

Forry said in an e-mail that 8-year-old Logan Wilkerson and his parents, Matt and Hope Wilkerson, of Bedford, are huge fans of Brown, his label and camp — not to mention big supporters of the Roanoke Valley music scene.

“They’re just amazing people, so we’re trying to do something nice for them,” Forry wrote. “Logan falls in with the special needs group of children that Camp Southern Ground will cater to, once the camp is open. I believe the cost per child for the camp has been estimated at around $700.00. Logan has already started saving money to attend.”

See the show next Friday night via http://www.stageit.com/barefoot_west/let_s_send_logan_to_camp_southern_ground/16370. If you go now, you can buy a ticket to the show, Forry wrote.

“We currently have 99 tickets with the price set at ‘Pay What You Can,’” he wrote. “Viewers can tip the band, and make requests via chat, during the show. It’s a pretty kick ass service for musicians.”

Roanoke, symphony seek variety of acts for family-friendly programs

The National Endowment for the Arts has given Roanoke and the Roanoke Symphony Orchestra a grant to bring visual and performing arts into several city neighborhoods in summer and fall 2013.

With funding in hand, the Roanoke Arts Commission is “seeking applications from visual artists, performers, and arts organizations to include a wide diversity of artists for the program,” according to an e-mail from the city’s arts and culture coordinator, Susan Jennings.

“Artists, performers, and groups are encouraged to develop family friendly programs that have an educational element. All artists and groups will be paid and are required to submit an estimate of costs associated with their program or performance. Performing Arts is open to musicians, dancers, actors, and vocalists.  Visual Arts is open to visual artists in any medium,” she wrote.

If you or your group is intested, download an application from www.roanokeva.gov/publicart. The applications are due back on Jan. 31. After that, a committee appointed by the arts commision –  comprised of performers and visual arts professionals — will review and select.

To learn more, contact Jennings 853-5652 or via to susan.jennings@roanokeva.gov.

Martin’s Downtown selected Home Grown Music Network’s venue of the year

Photo courtesy facebook.com/martinsdowntownva | Berkleley Dent

Photo courtesy facebook.com/martinsdowntownva | Berkleley Dent

Update appended at 4:41 p.m., Jan. 2, 2013.

Anyone who digs music and hangs around downtown Roanoke knows by now that Martin’s Downtown Bar & Grill slings music almost every day of the week. The venue’s live music schedule received some national recognition at the tail end of 2012.

Home Grown Music Network, an independent music scene collective, selected Martin’s as its venue of the year. The Mebane, N.C.-based organization made the announcement on Jan. 28.

The network, which is affiliated with about 30 venues and about 75 bands, says on its website that its mission is “to help talented independent bands reach fans who are seeking fun, interesting & mind expanding music.”

Such HGMN acts as Big Daddy Love, Dangermuffin, The Mantras, Yarn, Sol &  Funk Root (a band with Southwest Virginia connections) and Zach Deputy have played Martin’s several times. HGMN spokesman Chris Robie said that acts playing Martin’s have given him and other network representatives “good feedback” about the venue and its owner, Jason Martin.

“He’s really into the scene, and that goes a long ways into how we decide who gets venue of the year,” Robie said in a phone call today from Chapel Hill, N.C. “It’s not all about the sound system. It’s not all about the size. It’s all about how they treat musicians and the type of quality music they like to bring into the venue.”

Robie said he met Martin last July at FloydFest.

“You could tell it was something that he really loves to do,” he said. “He’s very passionate about it.”

We’ll add a quote from Martin as soon as we hear back from him today.

UPDATE: Martin said by e-mail that he considers this to be an incredible honor. Past winners include The Pour House, in Charleston, S.C., Raleigh, N.C., and The State Theatre, in Falls Church, and Martin is happy to be included among those venues.

“It is so nice to be recognized for doing what you love,” he wrote. “I am very proud to receive this accolade from such a reputable organization such as The Homegrown Music Network. I think receiving recognition like this is a product of being committed to booking live music, not being afraid to take chances on unproven acts and how showing some love and appreciation to touring musicians really does make a difference. ”

Click the jump link for the full list of 2012 HGMN award winners.

Read more »

Southern Culture on the Skids to hit Growler’s March 16

Southern Culture on the Skids, from left:: Rick Miller, Mary Huff, Dave Hart | File photo

Southern Culture on the Skids, from left:: Rick Miller, Mary Huff, Dave Hartman | File photo

If you’ve followed me at all over the years on this blog, you know that I have a big affinity for Southern Culture on the Skids. Years and years after I gave up trying to make music performance my business, these old touring partners are still going at it, with a devoted cult following and a musical tightness honed by years on the road and in the studio. Total respect. Cool tunes. too.

Better yet, two members of the trio — drummer Dave Hartman and bassist/singer Mary Huff — are native Roanokers. They live in the band’s home base near Chapel Hill, N.C., these days, but they still have ties here. And fortunately for their valley fans, they play here more frequently these days, too.

SCOTS’ next Roanoke stop happens on March 16, for a St. Patty’s Day gig at Growler’s American Grill and Venue, at Towers. Black Mountain Revival opens the show. Tickets are $15 in advance and $20 at the door. Nanner puddin’ in effect.

Now for some video, with Huff singing “It’s The Music that Makes Me.”

Concert update — Brantley Gilbert coming to Roanoke Civic Center on April 26

Brantley Gilbert | facebook.com/BrantleyGilbertMusic

Brantley Gilbert | facebook.com/BrantleyGilbertMusic

Up-and-coming act Brantley  Gilbert is headed to Roanoke. Gilbert, whose album “Halfway to Heaven” peaked at No. 4 on the Billboard pop chart and at No.2 on the country chart, is called a “hot country rebel” in a civic center news release (someone please kill me now).

Kip Moore returns to the valley for the third time in a year to open the show. He opened for Eric Church in October and for Billy Currington in April. Moore’s “Something About A Truck” was a top 10  hit, and his latest, “Beer Money,” was No. 11 this week. The video for “Beer Money,” by the way, features onetime Roanoke resident Gordana Ban.

Gilbert, 27, has multiple music award nominations. The Academy of Country Music and the Country Music Association both nominated him for 2012 best new artist honors, and his co-writing credit with Colt Ford on Jason Aldean’s massive hit “Dirt Road Anthem” earned them a nomination for 2011 CMA song of the year award.

Tickets start at $424.75, and as always, we’ve asked the civic center to send us the full price range. Stay tuned.  Tickets are $24.75, $29.75 and $37, and they go on sale at 10 a.m. Dec. 14 via the Roanoke Civic Center box office, HomeTownBankTix.com  877-482-8496.

Here is the video for Gilbert’s latest single, “Kick It In The Sticks,” which is No. 50 at the Billboard country singles chart, after 19 weeks on the chart. It peaked at No. 29.

Check out the new video from Eternal Summers, “Good As You”

Read more about Roanoke’s own Eternal Summers at http://www.roanoke.com/extra/wb/313491

After losing its contract with the city, EventZone may move Festival in the Park and the St. Patrick’s Day parade elsewhere, according to director

By Tad Dickens | 777-6474

Changes are ahead for several of Roanoke’s major festival events, after Downtown Roanoke Inc. late last week won the city’s contract to produce and/or coordinate such events as Festival in the Park, the Big Lick Blues Festival and the Celtic Festival.

But as of Monday afternoon, it still was not clear exactly what those changes would be.

EventZone, which had retained the contract ever since its formation in 2003, says it will still produce Festival in the Park, the St. Patrick’s Day Parade and Celtic Festival, Party in the Park, Big Lick Blues festival and the Cabin Fever Series. Its new executive director, Jill Sluss, said that her organization has all of those event names trademarked.

But Downtown Roanoke Inc. says it will produce Party in the Park, the St. Patrick’s Day Parade and Celtic Festival and Big Lick Blues, while providing “production support” for Festival in the Park and the Cabin Fever Series.

That sets up what could be a turf war between the old contractor and the new. But in a Monday news release, EventZone floated the possibility that it will move its festivities elsewhere.

Elmwood Park, the venue for Festival in the Park, Big Lick Blues and other events, is undergoing a $4.7 million renovation that began last month and was expected to last for a year. The city has other facilities, including the Reserve Avenue fields, for such events.

“With the temporary closing of Elmwood Park, we have been concerned about adequate facilities for our signature events,” EventZone’s new executive director, Jill Sluss, said in the news release. “This decision opens the door to endless possibilities for partnering with other localities. We are excited at the enormous opportunity this presents.

“EventZone will continue to produce quality well-known events such as Festival in the Park, the Cabin Fever Series, and Party in the Park. [Sic] The only change being exciting new venues capable of hosting our unique events.”

And that change could well extend beyond the year that Elmwood is under reconstruction.

EventZone will “absolutely” consider moving all of them elsewhere, Sluss said in a phone call late Friday afternoon.

“We’re no longer bound to keep the events in Roanoke City,” she said. “We can now hold them in the Roanoke Valley.”

DRI, EventZone and city officials are scheduled to have their first transitional meeting on Thursday, said Brian Townsend, Roanoke’s assistant city manager for community development.

“I’d hate to think we’d have dueling St. Patrick’s Day parades,” Townsend said. “But we have four Christmas parades in the valley. I hope it doesn’t get to that.”

But if EventZone takes its events elsewhere, Downtown Roanoke Inc. will still be putting on, say, a Memorial Day weekend event where Festival in the Park had been. It will just have a different name.

And if EventZone decides to keep its events on city property, it will have to work with DRI, he said.

New organizers

Downtown Roanoke Inc., in existence in town for more than 50 years, is a nonprofit organization focused on economic development downtown. In September, it responded to the city’s request for proposal to handle what the city listed as public event planning/promotion, event management services and third party event facilitation services (see the city’s request via tinyurl.com/blf6otf).

It was the first time that an organization other than EventZone had submitted a competing proposal since EventZone’s 2003 creation, even though the city must by law occasionally post such requests, Townsend, said.

EventZone formed in 2003, consolidating the office that ran Festival in the Park with the old Roanoke Special Events Committee. Festival in the Park had for about three decades prior been an independent entity.

EventZone in July was one of 19 organizations to receive Taubman Foundation Sustainability Grants, which philanthropists Nick and Jenny Taubman created  last year to help stabilize arts and culture nonprofits in the Roanoke region. EventZone received $100,000 for debt payment and fundraising.

EventZone has two full-time and three part-time employees, plus “more than 700 volunteers” for its events, Sluss said.

DRI lists five employees on its website.

On Monday, Townsend said city staff, after reviewing the competing proposals and interviewing representatives of both groups, decided that DRI was better positioned to “market under one umbrella” both downtown itself and the events happening there.

Sluss had been EventZone’s interim director since former executive director Larry Landolt resigned in late August. She said that, effective Monday, she is now the organization’s full-time director.

Sluss wrote that those in the organization were “disappointed,” but that they would continue on.

“We will now focus our attention on creating new events or partnering with other organizations to share our expertise in event planning, marketing and execution,” she wrote.

In an e-mail exchange, Downtown Roanoke Inc. spokesman Matthew Klepeisz wrote that the organization “has a strong and successful history of partnering with the City of Roanoke to make the downtown district the preferred place to live, work, and play. We’re pleased for the opportunity to grow this partnership by managing special events services and enhancing the downtown experience for our residents and visitors alike.”

See earlier posts on this subject below the jump:

Read more »

Sometimes it’s not too early to talk about Christmas, like when Amanda Stathos releases a combo CD/breast cancer fundraiser

Amanda Stathos

Amanda Stathos

Roanoke is home these days to a very explosive singer named Amanda Stathos. She can wail on the new-style R&B music like no one I’ve heard around here, and she’s a nice person, too. On Sunday, Stathos releases her Christmas EP, “Sing For Joy,” and half of the proceeds will go to Susan G. Komen for the Cure, according to Stathos.

Stathos has a very personal reason for the idea and the release date. Her mother died of breast cancer when Stathos was a young girl. Her mother would have celebrated her birthday on Sunday,  “and I cannot think of a better way to honor her fight than to use my gifts to do something for others,” she wrote in an e-mail.

To download the disc, go to http://www.cdbaby.com/cd/amandastathos1. Each track is $1, if you’re just going for the singles. Read more about it via facebook.com/events/506707646008340/

More links — http://itunes.apple.com/us/album/sing-for-joy-single/id571155419 | http://www.cdbaby.com/m/cd/amandastathos1

Friday, May 24, 2013

Weather Journal

Cold AM; blog fill-in hits big time

Fri, 24 May 2013 22:01:28 +0000

About this blog

cutNscratch is The Roanoke Times music blog. Music reporter Tad Dickens enjoys pickin' and grinnin' and drummin', and he likes to write about music, too. He'll post plenty about local, regional and national music, but it won't be any fun at all if you don't jump in and have your say. So do it!

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  • Jason "Roanoke Doesn't Suck" Turner: I am so happy to hear this. They are an amazing band and to lose out on having...
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