Land of Opportunity

The Roanoke Times

In increasing numbers, Hispanic immigrants are putting down roots in the Roanoke Valley. They're pouring concrete, opening hair salons and filling classrooms. Some employers, meanwhile, are attributing their success to this new labor pool. In this occasional series, The Roanoke Times explores the local impact of the national debate about immigration.
Recent Roanoke Times stories on Hispanic immigration have included:
gallery-immigrantsDuring a busy Friday night dinner waiter Jesus Malaga serves an armload of food to their Anglo customers. Malaga came to America four years ago from Mexico and, like many Mexican immigrants in Roanoke, first landed a job at El Rodeo.

December 31, 2006

As Congress wrestles with what to do about the estimated 12 million illegal Hispanic immigrants, friends and relatives keep showing up on the Roanoke doorsteps of those already settled here. The Roanoke Times documents the people behind the debate in this series of occasional articles titled “Land of Opportunity.”

Though some subjects were reluctant to have their names used and photographs taken out of fear of being deported, many believed that telling their stories would put a human face on a growing population that is still largely invisible — but which openly co-exists — in our community. In most cases, the newspaper has not pinpointed where the immigrants live or where they are employed.

Beth Macy

Beth Macy has been a features writer at The Roanoke Times since 1989. Macy gravitates toward stories that feature real-life struggles of ordinary people, with profile articles that have garnered national feature-writing awards and Virginia Press Association honors. She has published freelance articles in salon.com, The Christian Science Monitor and The Chronicle of Higher Education, and taught literary journalism at Hollins University.

Josh Meltzer

Josh Meltzer has been a photographer at The Roanoke Times since 1999. Earlier this year, Meltzer was named Photographer of the Year (Under 115,000 Circulation) by the National Press Photographers Association. Meltzer previously was a staff photographer at the Duluth (Minn.) News-Tribune for four years. In addition to his still photography, Meltzer has photographed, recorded, edited and produced more than two dozen video, audio and multimedia online presentations that have received awards from the Virgininia News Photographers Association and the Society for News Design.

In 2005, Macy and Meltzer teamed up to produce "An Unlikely Refuge," a multimedia series documenting the resettlement of Somali Bantu refugees in Roanoke. Their work won several national awards, including the 2006 Digital Edge Award for multimedia storytelling and the Associated Press Managing Editors award for online convergence.

Evelio Contreras

Evelio Contreras has been a reporter at The Roanoke Times since June 2005. He began as an editorial assistant in Metro and is now the community sports writer for the New River Valley Current, Neighbors and Sports. Contreras hopes to write narrative stories with a photographer's eye for detail. Before moving to Roanoke, Contreras was a desk assistant at The NewsHour with Jim Lehrer on PBS and worked as a sports editor of The News Gram in Eagle Pass, Texas. He graduated in June 2004 with journalism and philosophy degrees at Northwestern University.

Reporters: Beth Macy, Evelio Contreras

Photographer/multimedia: Josh Meltzer

Online designer: Amanda Hicks

Online producer: Jordan Fifer

Editor: Carole Tarrant

Multimedia editor: Seth Gitner

Print designer: Terri Macklin

Photo editor: Michael Stowe

Graphics: Grant Jedlinsky, Rob Lunsford

Copy editor: Alison Weaver

December 31, 2006

A summer night

Leonardo's bed is comfy. It's a small thing, but it reminds him of what he wants to feel like when he returns to Mexico. Comfortable.
Photo gallery Open Leonardo's bed is comfy. It's a small thing, but it reminds him of what he wants to feel like when he returns to Mexico. Comfortable.

His Sunday night habit is to watch American movies in Spanish, usually, kids’ movies.

One Sunday night in early June, Leonardo is watching Disney’s “White Fang” in Spanish.

His roommate, Gustavo, is holding a Bud Light and sits next to him on a blue air mattress, recovering from a weekend of parties and beers.

Gustavo’s wearing a white tank top, his muscles showing, and hip-hugging black jean shorts. His head is shaved and his smile makes you think he’s up to no good. He keeps his wife’s love letters in a small backpack hanging on the wall in his bedroom. He doesn’t talk about her much.

Like their three other roommates, Gustavo and Leonardo have a common goal of working and sending money back to families in Mexico.

But they have different views of the United States – and Iraq.

“People are going to Iraq to fight for democracy, but here there’s prejudice,” Gustavo said last spring. “This place should not just be for Americans. It should be for everyone living in it.”

Leonardo doesn’t agree. Why couldn’t the U.S. treat immigrants like parolees, he says, where they can be monitored throughout the week to make sure they are working? Then those who don’t work could be sent home, and the workers could stay.

During a commercial, Leonardo discusses a dream he has with Gustavo.

“Imagine taking your family to Disneyland,” he says, his head propped up against a pillow on his bed.

“It’s a dream that only happens on television,” Gustavo says. “On the Disney Channel.”

Gustavo then brags about an afternoon fling he had in his gray Astro van with a woman, an American, he adds.

Leonardo lies down with his arms on his stomach, barely lifting his head. He looks at Gustavo but doesn’t listen. Gustavo’s now telling raunchy jokes.

Leonardo’s mind is elsewhere.

He’s thinking about a conversation he had earlier that day with his daughter.

She begged him again to come home.

« Waiting | Law and order »

Post a comment

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)