Land of Opportunity

The Roanoke Times

In increasing numbers, Hispanic immigrants are putting down roots in the Roanoke Valley. They're pouring concrete, opening hair salons and filling classrooms. Some employers, meanwhile, are attributing their success to this new labor pool. In this occasional series, The Roanoke Times explores the local impact of the national debate about immigration.
Recent Roanoke Times stories on Hispanic immigration have included:
gallery-immigrantsDuring a busy Friday night dinner waiter Jesus Malaga serves an armload of food to their Anglo customers. Malaga came to America four years ago from Mexico and, like many Mexican immigrants in Roanoke, first landed a job at El Rodeo.

December 31, 2006

As Congress wrestles with what to do about the estimated 12 million illegal Hispanic immigrants, friends and relatives keep showing up on the Roanoke doorsteps of those already settled here. The Roanoke Times documents the people behind the debate in this series of occasional articles titled “Land of Opportunity.”

Though some subjects were reluctant to have their names used and photographs taken out of fear of being deported, many believed that telling their stories would put a human face on a growing population that is still largely invisible — but which openly co-exists — in our community. In most cases, the newspaper has not pinpointed where the immigrants live or where they are employed.

Beth Macy

Beth Macy has been a features writer at The Roanoke Times since 1989. Macy gravitates toward stories that feature real-life struggles of ordinary people, with profile articles that have garnered national feature-writing awards and Virginia Press Association honors. She has published freelance articles in salon.com, The Christian Science Monitor and The Chronicle of Higher Education, and taught literary journalism at Hollins University.

Josh Meltzer

Josh Meltzer has been a photographer at The Roanoke Times since 1999. Earlier this year, Meltzer was named Photographer of the Year (Under 115,000 Circulation) by the National Press Photographers Association. Meltzer previously was a staff photographer at the Duluth (Minn.) News-Tribune for four years. In addition to his still photography, Meltzer has photographed, recorded, edited and produced more than two dozen video, audio and multimedia online presentations that have received awards from the Virgininia News Photographers Association and the Society for News Design.

In 2005, Macy and Meltzer teamed up to produce "An Unlikely Refuge," a multimedia series documenting the resettlement of Somali Bantu refugees in Roanoke. Their work won several national awards, including the 2006 Digital Edge Award for multimedia storytelling and the Associated Press Managing Editors award for online convergence.

Evelio Contreras

Evelio Contreras has been a reporter at The Roanoke Times since June 2005. He began as an editorial assistant in Metro and is now the community sports writer for the New River Valley Current, Neighbors and Sports. Contreras hopes to write narrative stories with a photographer's eye for detail. Before moving to Roanoke, Contreras was a desk assistant at The NewsHour with Jim Lehrer on PBS and worked as a sports editor of The News Gram in Eagle Pass, Texas. He graduated in June 2004 with journalism and philosophy degrees at Northwestern University.

Reporters: Beth Macy, Evelio Contreras

Photographer/multimedia: Josh Meltzer

Online designer: Amanda Hicks

Online producer: Jordan Fifer

Editor: Carole Tarrant

Multimedia editor: Seth Gitner

Print designer: Terri Macklin

Photo editor: Michael Stowe

Graphics: Grant Jedlinsky, Rob Lunsford

Copy editor: Alison Weaver

December 31, 2006

Family

Leonardo has saved nearly all of the phone cards he’s used to call his wife and daughter back home.
Photo gallery Open Leonardo has saved nearly all of the phone cards he’s used to call his wife and daughter back home.
Leonardo opens his wallet and pulls out a phone card.

It’s a Saturday afternoon in late May. He’s calling his family.

“Hello? Hello?” he says. “Juana Maria Lopez Perez. Is she there?”

His only daughter, Norma, is on the other end. She tells him his wife, Juanita, as he likes to call her, is not at home.

“She’s not there?” he says, loud but joking. “Where is the lady of the house? Who gave her permission to go?”

She laughs.

Norma is 15 and tall for her age. Her hair is black and long like her mother’s. The two are best friends and cried in July when Norma celebrated her 15th birthday — her quinceanera — and her father wasn’t there.

Leonardo jokes with his daughter on the phone to keep her from asking this question: “When are you coming home?”

Used to having his wife prepare meals for him, Leonardo had to teach himself how to cook. He eats a late-night meal of pork and beans.
Photo gallery Open Used to having his wife prepare meals for him, Leonardo had to teach himself how to cook. He eats a late-night meal of pork and beans.
It’s a question she asks every time.

“Soon,” he usually says. “I’ll be coming home in a short while.”

But Leonardo knows it’s a white lie at best.

His family lives about a six hours’ drive from the Texas border, in a two-bedroom apartment that Leonardo thinks is OK.

But he wants something bigger: a mansion, as he imagines it, with two stories and stucco walls. A big Ford truck — preferably black — parked in front and money to open a grocery store or similar business.

“Working hard” is the portrait Leonardo likes to paint when he describes himself. He doesn’t like to talk about his family. When he does, his face turns hard and freezes in time, like the memories are rushing back to his mind through an electric current.

In a small shoebox inside Leonardo’s dresser is a receipt for a DVD player he ordered by mail. He shows it to people when they ask him what documents he has in the U.S. with his name on them.

The only identification document Leonardo possesses is a Mexican voter card with a mugshot of him taken 12 years ago. His rectangular, bronze-skinned face is serious, belying the playful nature he has when he watches Disney movies in Spanish on Sunday nights.

He shows strangers and friends photographs of the new house he is paying to have built and of his family. He takes pride in saying that he spends most of his time away from work in a constant slumber, sleeping or lying half-awake on a two-mattress bed propped up by white plastic drywall buckets.

He often looks at his five roommates and where they sleep — soiled mattresses on the floor, dirty couches — and thinks he lives better than they do. His bed is comfy. It’s a small thing, but it reminds him of what he wants to feel like when he returns to Mexico.

Comfortable.

He expects to return to Mexico in two more years. That’s how long, he says, it will take to save up enough money.

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