2008.04.19
Concert review: Henry Butler
Here's the printside review, on roanoke.com.
What's up with Roanoke not showing up for New Orleans music? Only 230 came to the Jefferson Center, capacity about 940, for the Henry Butler Trio.
Before the show, I spoke to a couple of concert-goers who had gone to 202 Market on Friday to hear Bonearama, a New Orleans horn act. They said that attendance was light, as it had been at 202 when Porter, Batiste Stoltz played there a few months back.
Sure, Southwest Virginia is Scots-Irish roots country, so people show up for big bluegrass shows, and for some reason it's a good-enough blues town to support acts that come through. But if you don't dig New Orleans, you're missing out.
Butler, as I wrote in the deadwood version, is more than simply a New Orleans-style player. He has deep jazz knowlege, and played a lot of stuff outside the norm of what conventional soloists would try. He's obviously studied at the church of Thelonius Monk and Herbie Hancock. He mixes in classical stylings too, and his timing is impeccable -- a trait his sidemen, Tony Gullege (bass) and Kindler Carto (drums), share with him.
But he also studied with Professor Longhair and Allen Toussaint, paragons of the New Orleans style, so he's well locked in to the Storyville style of piano, and can drop it into practically anything he's playing at a second's notice, it seemed.






